Ghost Dog: The Way of the Samurai
The Constant Gardner
This one nearly made the top 25. Ang Lee's heartbreaking film about a love affair in an environment of intolerance and ignorance should have won Oscars for Best Picture and for Heath Ledger's powerful performance. Instead, the homophobic yet, self-proclaimed, self-congratulatory "liberal" Academy voters, most of whom are well past the age of ancient, chose that shit bird movie of pretension, Crash. One of the biggest blunders in Oscar history.
Harold and Kumar Go to White Castle
In what could have been just another dimwitted stoner movie, Harold and Kumar actually did something quite admirable: it showed that minorities in movies don't have to be staid stereotypes required to represent their race; rather they could be your average, everyday schlubs who just want to get toasted and chow down on some tasty sliders like everyone else. The sequel, Harold and Kumar Escape from Guantanamo Bay went even further by tackling racial stereotypes and American attitudes toward, well, just about every minority, but the simpler premise of the original was subversive enough to promote diversity without making people think that's what it was doing.
O Brother, Where Art Thou?